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Slow Horses
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Cinema
Television
Slow Horses
is the best thing on TV
By James Delingpole
Film
Maestro
is a masterpiece. How did Bradley Cooper do it?
By Damian Thompson
Film
Dream Scenario
is the most Nicolas Cage film
By Deborah Ross
Book Review
The life of Werner Herzog
By Peter Bradshaw
Film
Never-ending but epic: Scorsese’s
Killers of the Flower Moon
By Deborah Ross
Film
Can
Barbie
and
Oppenheimer
succeed on the same weekend?
By Alexander Larman
Film
What’s happening with the SAG-WGA strike?
By Alexander Larman
Film
Napoleon
heralds the return of the man’s movie
By Alexander Larman
Film
I’ve had it with Wes Anderson
By Deborah Ross
Film
Reality
is a cinematic winner
By Deborah Ross
Film
So long, Orson Welles
By Peter Tonguette
Book Review
Did Fassbinder kill himself?
By Stuart Jeffries
Film
The importance of going to the movies
By Nicky Otis Smith
Film
The forgotten art of Hollywood backdrops
By Mitchell Jackson
Film
Winnie the Pooh: Blood and Honey
and the British B-movie renaissance
By Robert Jackman
Film
Michael Caine at ninety, in his own words
By Tanya Gold
My verdict on the Oscars line-up
By Joan Collins
Film
The death of the movie star
By Sam Wasson
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