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The Lincoln Project’s cringe attempt to attack Trump through musical theater

Broadway

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The Lincoln Project’s cringe attempt to attack Trump through musical theater
By Daniel Rey
Theater
Finally, a version of Merrily We Roll Along that works
By Clarissa Sebag-Montefiore
Theater
One-on-one with Broadway powerhouse Betsy Aidem
By Clarissa Sebag-Montefiore
Theater
Spring’s hottest theatrical openings on Broadway
By Clarissa Sebag-Montefiore
Theater
The legacy of Mean Girls and the decline of pop culture
By Mitchell Jackson
Theater
Stereophonic is a love letter to creation
By Zack Christenson
Theater
The birth, death and rebirth of American Psycho: The Musical
By Ross Anderson
Theater
Here Lies Love is too scared to be serious
By Clarissa Sebag-Montefiore
Theater
The Sign in Sidney Brunstein’s Window is never comfortable
By Clarissa Sebag-Montefiore
Theater
Aaron Sorkin’s new Camelot has nothing to say
By Clarissa Sebag-Montefiore
Theater
Bringing back Stephen Sondheim and enduring a new Andrew Lloyd Webber
By Robert S. Erickson
Theater
Broadway brings back Bob Fosse’s Dancin’
By Robert S. Erickson
Theater
Noël Coward, the English playwright who loved all things American
By Alexander Larman
Theater
& Juliet and Titanique: two newly minted cult classics
By Robert S. Erickson
Theater
The Some Like It Hot revival is cream-puff theater
By Robert S. Erickson
Theater
An unapologetically Jewish Fiddler on the Roof returns to New York
By Clarissa Sebag-Montefiore
Theater
Baldwin and Buckley clash on the New York stage
By Robert S. Erickson
Theater
Macbeth on Broadway: a Very Modern Scottish play
By Robert S. Erickson

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