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Finally, a version of
Merrily We Roll Along
that works
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Theater
Theater
Finally, a version of
Merrily We Roll Along
that works
By Clarissa Sebag-Montefiore
Theater
One-on-one with Broadway powerhouse Betsy Aidem
By Clarissa Sebag-Montefiore
Theater
Spring’s hottest theatrical openings on Broadway
By Clarissa Sebag-Montefiore
Theater
Beauty, terror and banality are uneasily juxtaposed in
Harmony
By Clarissa Sebag-Montefiore
Theater
Here We Are
is in many ways confused
By Clarissa Sebag-Montefiore
Theater
Sean Young has lessons to share
By Mitchell Jackson
Theater
The legacy of
Mean Girls
and the decline of pop culture
By Mitchell Jackson
Theater
Stereophonic
is a love letter to creation
By Zack Christenson
Theater
The birth, death and rebirth of
American Psycho: The Musical
By Ross Anderson
Theater
Once Upon a One More Time
is pat, prepackaged feminism
By Clarissa Sebag-Montefiore
Theater
Here Lies Love
is too scared to be serious
By Clarissa Sebag-Montefiore
Theater
Jane Clark Scharl delivers artful truths in
Sonnez Les Matines
By Robert S. Erickson
Theater
The wonder of kabuki theater
By Louise Levene
Theater
Taking in
Good Night, Oscar
and
New York, New York
By Robert S. Erickson
Theater
The Sign in Sidney Brunstein’s Window
is never comfortable
By Clarissa Sebag-Montefiore
Theater
Aaron Sorkin’s new Camelot has nothing to say
By Clarissa Sebag-Montefiore
Theater
Bringing back Stephen Sondheim and enduring a new Andrew Lloyd Webber
By Robert S. Erickson
Theater
Cambridge Footlights comedy society launches ‘sensitivity reading’ service
By Cockburn
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